ABSENT BODY, PRESENT MARK: A visual essay of semiotic reading of homoerotic inscriptions in public toilets
The inscriptions on the doors of the underground public toilets at Oriente Station cannot be read merely as signs of obscenity, vandalism, or degradation of public space. They are also fragments of a precarious, anonymous, and deferred semiotic system, in which unknown subjects negotiate desire, presence, risk, and recognition.